Thursday, August 12, 2010

Creating a Community Supported Kitchen: Interview with Jessica Prentice of Three Stone Hearth

"The community-supported kitchen idea was a fantasy that I had in my head for years, before we started this business. I was always playing with it like, 'Oh, wouldn't it be great if you had this kitchen, and you packed things in Mason jars. People paid a deposit, and then they returned them. They could get mineral rich bone broth, and people would all work together in the kitchen.' It was a fantasy, and, for me, it's incredibly exciting to see it actually happening. . . .

 . . . I think it's part of what life is about, as a human being, visualizing those things, then finding the ways to make them actually come into being and to live that life."

Jessica Prentice is a co-owner of Three Stone Hearth, a community supported kitchen in Berkeley, CA that uses local, sustainable ingredients to prepare nutrient-dense, traditional foods on a community scale. She is a professional chef, passionate home cook, local foods activist, and author of Full Moon Feast: Food and the Hunger for Connection.  She is also co-creator of the Local Foods Wheel, and coined the word "locavore."

Below is an edited transcript of my interview with Jessica for the Big Vision Podcast.  You can also listen to it on the Big Vision Podcast homepage, via iTunes, or on the podcast player at the bottom of this post.

Our conversation began with Jessica describing what a community supported kitchen is:

Jessica Prentice: The idea behind the community supported kitchen is that we are modeling a new way of preparing and processing food on a community scale.  The idea is that, in this country, most food preparation and processing is happening in factories. We eat a lot of factory-processed foods, and it's having terrible consequences for our health and for the environment.

Then we have home preparation and processing, which is all great, but for a lot of us living in very small households, it's hard to cook from scratch three times a day. In times past, it made a lot more sense to do that, partly, because we lived in larger households or lived in communities or villages, where food preparation happened in community, for the larger community.

We're trying to bring back that concept: food is getting prepared and processed in community, a smaller community, for a larger community. The community supports us by ordering our food (we have an online ordering system), but also, our original capital came from small loans from members of our community.  We weren't bank-financed, at all. We pay them back with interest.  They were investors, but it was definitely community supported, in that sense. Most of those people are still our customers, so they support us in many ways.

One of the main ways that we are community supported is that the community comes in and helps to prepare the food. The vast majority of the people who work in the kitchen are volunteers or apprentices who are doing it, sometimes out of service, but mostly in exchange for learning and an experience that they would have a hard time finding somewhere else:  working in a commercial kitchen with these types of ingredients and learning the principles and philosophy behind what we do.

Britt Bravo: You are one of four or five co-owners?

Yes, we're a worker-owned cooperative and five of us started the business: Porsche Combash, Misa Koketsu, Catherine Spanger, and Larry Wisch were the co-founders with me.  Unfortunately, Larry has been out for the past year and a half on disability so the four of us have been running the business. We operate as a cooperative. We have weekly meetings, we make all decisions together, and that's been a huge journey in and of itself. We've been in business for four years and we were planning the business for a year before that, so, we've been working together pretty intimately for five years.

Do you think cooperative ownership is an essential element of having a community supported kitchen?

It's not necessarily the only way to do it, but I do think it's pretty hard to do anything on the scale that we're doing as a single owner. I would recommend to anybody who was thinking about starting a business like that, that they find preferably at least two people to work with them. The cooperative is really nice because; for example, it has allowed us to take breaks.  I had a baby, so I was on maternal leave for three months. My business partners handled the business while I was away. If somebody gets sick, like Larry did, the business partners are able to handle it. The enterprise doesn't come to an end, and we're able to take vacations. All of my business partners were able to take about six weeks off in the past year to get a little sabbatical from holding up the business. So, that is one of the things that is nice about have more people own it.

The other thing is that there's a period of time in the beginning of a business when you have to work really hard, and you don't make a lot of money. To have more people that are owners, and have that sense of commitment, I think, is important to get through that hard stage. Then, eventually, hopefully, you ramp up, and you can hire people and pay people what is necessary to be paid.  Having more than one or two people who are deeply invested in this business, I think, really helped it to get as far as it's gotten. We're in a really good place with it, and have really high hopes for the future.

Can you talk a little bit about how the volunteer and apprenticeship program work?  

I asked for questions for you from my blog, Facebook and Twitter readers and followers, and someone asked, in relation to that:

"I'm interested to know, with such amazing volunteers and apprentices coming through Three Stone Hearth, what do they offer folks once they complete their time there and move on to other organizations, communities etc.?  How do they stay in touch and maintain collaborations?"

Well, that's actually something that we're working on now. It's been fairly informal. Volunteers pitch-in and do whatever needs to be done. We have one volunteer who has been with us pretty much all four years. She still comes every week, and she just loves it. We have some volunteers that are retired. It is a really important place for them to come for community and connection. We all sit down together for tea and lunch everyday. So, for a lot of people, it feeds their need to be in a community and contributing in a meaningful way.  We also have lots of younger volunteers all the way down to older teenagers, 17-18 years old, and then college students.

For a lot of people, there's a lot of interest in sustainable foods, artisanal production, and in cooking as a profession, but there aren't very many places where people can start out, dip their toes in and see how it works.  There are culinary training programs, like the one that I went to in New York. There's one here with Bauman, in Berkeley; but for a lot of people, they're expensive. It's hard for people to make that commitment without necessarily knowing if this is the right field for them. So, this is a chance for people to get into the kitchen, work with the food, work with the concepts, and see how they like it and what they want to go on to do.

Really, the apprenticeship is what you make of it. The people who are able to commit the most time get the most out of it. We're able to give them more and more recipes to work with. We tend to work more with the recipes with the apprentices. People who give us more of a time commitment get to do more of the actual cooking. Volunteers, who just come once a week, will often find themselves jarring things or bagging granola, which is super helpful, but it's more for those people who want the community and to pitch in and help.

People who really want to learn how to cook are better off with the apprenticeship program. We offer a weekly lesson where we explore the culinary principles that our business is based on. We have lots of written materials about the recipes and how we do things.  People read through, and then, they make something, get to taste it, and adjust it. Frankly, that's really how you learn to cook.

Even though I went to cooking school, the most meaningful parts were just cooking and tasting. I mean, there's the book learning, too, but a lot of that, you can do on your own.  When I graduated from culinary school, I got a job. It was really on the job that I learned how to do a lot of stuff.   I think the reality is, with culinary training, a lot of it is learned on the job. Here's a free job, a free learning experience where they're contributing to the business and they're not having to pay for it, but we also don't have to pay them. We just have to offer them the structure that they need to be able to learn.

We also take groups. Sometimes a group of people will come together and have a joint experience of working in the kitchen together. The kind of food that we do here is fairly unique.  For a lot of people, it's really the only place they can get exposure to the kind of ingredients that we use, and the kind of cooking that we do.

What makes the food you're cooking unique?

We're inspired by the nourishing traditions, Weston A. Price approach. There's just aren't a lot of people out there that are doing it on any kind of professional scale, other than personal chefs and stuff like that.  We work a lot with animal products, but we work with pastured, humanely raised grass-fed types of animal products. For a lot of people, that really matters. They want to learn to work with meat, but they want to feel really good about how the meat was sourced. We do a lot of bone broths.  We work with organ meats. We do a lot of fermentation.  We make sauerkrauts and kimchis. We make beet kvaas and kombuchas, so, lacto-fermented beverages.

It's fairly unusual to be able to work with those kinds of ingredients. People have the opportunity to work in a professional kitchen environment where it's not just about the financial bottom line, and there is a lot of real attention to the ecological and spiritual issues around food, which is part of what draws people into food in the first place.


To go back to that person's question, do you feel like you are growing a network of people?

Absolutely. We do have a Facebook Page for the former apprentices where they are starting to network with each other, volunteers and people that have come through the kitchen.

We're in the planning stages of offering a seminar for people who want to start their own CSK.  We have a lot of people that come through the apprenticeship and who have a dream of doing something similar to this.

It has always been our goal to create a model that would be replicable. So far, Tressa is the only person who has done that in Oregon, taking what we're doing and morphing it into what would work for her. She's been in business a few years now.  She's been doing well.

It has always been our goal to seed these all around the country. Part of how we do that is the apprenticeship because as people come, they work here, and they get a feeling for it, but it's still hard to get over the hump of actually starting a business.  One thing that we haven't been able to offer too much of, until recently, is the nitty gritty financial back-of-the-house business planning stuff.

That's what the seminar will be: this is how, as a business, we operate. You might already know how we make our granola, or how we do these other things, which actually is very important. I think there will be people who will come to the seminar, who won't have apprenticed with us.  I think they would still get a huge value from coming and actually working in the kitchen because there's no better way to experience what we're doing than to just do it with us.  But, just doing that part doesn't necessarily give you a lot of exposure to what happens behind the scenes, or how we started, in terms of how we built our customer base and all that.  The seminar is intended to cover those kinds of topics more in depth.

If someone can't come to your seminar, what tips do you have for starting a CSK in their community?

We have a sheet that we send out, and we offer a free, 45-minute consultation for somebody who is interested in doing it.

We've created a web-based inventory and ordering system, and one of our goals is to make that available. That was one of our biggest capital expenses in the beginning was having that programmed. A programmer had to write it from scratch.  One of our goals is to make that available to people at a price that will save them a lot of money, because they won't have to have a programmer write it, but it will also help us to recoup some of those costs.   A huge part of this is computer based: it's a web-based ordering system.  There's not really anything off the shelf that will work to do everything that you need it to do for this kind of business.

So, it sounds like the online ordering infrastructure is really important. Anything else about researching the market for your area, or picking your co-owners or any other tips: "This is what I learned. Don't do this?"

Yes. I learned a lot of things along those lines, but they are fairly in depth and subtle. There aren't any quick tips.  I do think that it's advisable to start in a small way with jumping in, doing some piece of this, and getting to know the farmers in your area, your suppliers and what's out there.

One of the big questions is: is there a market for this kind of food in your area? How connected are people that are interested in traditional food stuff?  Get to know health care practitioners, and your farmers and ranchers.  Dialing into whatever community there is around the Weston Price stuff in your area would be really important, although this model could potentially be applied to a vegetarian or a vegan diet too.  It's not necessarily a Weston Price thing, although what we're doing is, and I think that's a huge part of our success. 

We have a lot of health care practitioners that refer people to us. That's how we get a lot of customers: people who are told by a doctor, "You need to eat these pastured bone broths." People either don't have the time, or they are not well enough to make them themselves.   It has this viral impact. It's all word of mouth, but people pass the word along.


What has been your biggest success? What's the thing that you are the most proud of?

When we started this business, we very much saw it as an experiment. We didn't know whether it would work. We intended it to work, but we tried to be really open-minded. A lot of things changed, as we went along, from our original sort of ideas. But, once we settled in and figured out what was working, it's working. I think that our biggest success is that we are still doing it, and that we've got this big new space that we've expanded into. We're in a very visible location so a lot more people are seeing our name and having questions, "What are we doing here?"

The community-supported kitchen idea was a fantasy that I had in my head for years, before we started this business. I was always playing with it like, "Oh, wouldn't it be great if you had this kitchen, and you packed things in Mason jars. People paid a deposit, and then they returned them. They could get mineral rich bone broth, and people would all work together in the kitchen." It was a fantasy, and, for me, it's incredibly exciting to see it actually happening.  It's actually my job to help to run this business. It's not a "Wouldn't it be great if" idea anymore.  I think the distance between those things is always a bit surprising.

When you have a fantasy about something, and then the thing actually happens, it isn't really the way you fantasized about it. I think that can be hard sometimes, unless you're really able to let go of all that and say, "Wow! This is really happening.  Whatever it is, the thing that I set my intentions on, the thing that I wanted to manifest is manifest in the real world and of course, it's got real world constraints, but it's actually not just an idea anymore. It's a manifest reality."

It's a pretty amazing experience. I think it's part of what life is about, as a human being, visualizing those things, then finding the ways to make them actually come into being and to live that life.


What has been the business's biggest challenge and how are you working to solve it?

Well, one of our greatest challenges has been around physical location.  In one sense, we've been very lucky. We found a kitchen very quickly, when we were looking. We were down near Aquatic Park in West Berkley for the first two-and-a-half years, and it came very well equipped. It was kind of this amazing blessing, but, then the building was sold, we got evicted, and finding another place was challenging. We ended up subletting half of this space.  We were sharing this space with a business that went out of business.  We're still a little bit precarious. We have a short-term lease.  If we'd had a lot more capital, perhaps we could have bought a space and built out a kitchen, but that wasn't really feasible for us, so we had to work with what we could find.

Because there aren't community-supported kitchens in the world yet, there aren't kitchens that are tailor made for us. There are restaurant kitchens, which don't work very well for us, and there are catering kitchens, which don't work very well for us. We ended up finding a kitchen that was in a former grocery store space, which has been actually really good, but we don't have a long-term lease here.

Our business is going great, but in a sense, the rug could get pulled out from under us at any time, and it did, in our old location.  It's really hard to find commercial kitchens in the Bay Area, so I would say that was one of our bigger challenges.


What's your big vision for Three Stone Hearth? Where do you want the business and the CSK model to be in five or 10 years?

Our vision is to see other CSKs elsewhere.  We would love there to be a handful of CSKs in cities around the country that were connected to the owners: they came and apprenticed here, did our seminars, and we're offering them some kind of technical support.

They may not be doing everything that we're doing, or doing what we're doing in the same way, but the basic concept is still the same: very nutrient dense, healing food is accessible to more and more people.  I think it's really important for people in the community to have a sense that they can join in and be in the kitchen and that there's a lot of transparency. They can see how everything is made. It's not secret; it's not behind closed doors.

It's also important that the CSKs are supporting small ranchers and farmers in their areas. It's really nice for a ranch or farm to have an account that's big enough to make an impact on their business, to expand their production; for example, but it's still small enough that the needs can be met.  I think we've really helped to support local farmers and ranchers that way, and I would like to see infrastructures built in more cities where there is access to local pastured grass-fed meats, for example.  We know there is a lot of infrastructure that's required to make that possible, quite a lot.

We are lucky in the Bay Area to have some of the suppliers that we have: Marin Sun Farms for our meats, Veritable Vegetable for our produce, and direct relationships with lots of ranchers for almonds and rice and other things.  The more need there is, the more of those infrastructures and other businesses will have a chance to pop up.  Creating a whole web of connections in your area that's supporting a local food system is really exciting to me

I was Googling and trying to find other CSKs, so I know you guys are pretty much the first.

Right.

And then I found one in Portland, Oregon, which I think you mentioned was someone who had worked here, and then one in Portland, Maine.  Are there more that I wasn't able to find?

No. We're not familiar with those folks in Maine. I think they started it out of a store. There are lots of variations on how this model could work. I'm not really that clear on what they're doing there. This whole idea of "community supported" has gained some traction in lots of areas. There are some community supported fisher people, and community supported bakers. There are meat CSAs, community supported agriculture, but around meat. It's one of the ways that communities are reconnecting to the source of their food.

It's just not realistic for a lot of people to cook from scratch all the time.  What we're doing is supporting people eating at home, but giving them some of the elements that are making it easier to make that a routine, and to eat healthfully.

A huge part of that is the nutrient density of our food. It's really nice to see people making that shift in their mind to say, "Food is something that's important enough in my life that I'm going to order it in advance. I'm going to go on a special day and I'm going to pick it up. And I'm going to value what's being offered here." It's been really rewarding to see how many people really value it.

I just got an email forwarded to me by one of my business partners from one of our customers who was basically like, "Thanks be to God for your business because you guys keep me healthy."  He said, you know, "I just can't believe there are all these angelic beings there cooking for me."

People have stuff that they're dealing with, health issues, and to feel like there is somebody cooking for them, that's nourishing them, you know, we're sort of like the "mamas" that people need.  You need mothers and grandmothers that are nourishing you, and we just don't have a society that's structured like that, so for some people, we do that.  Even though we're a business, we're very much humanly connected to our community of people, and that feels like right relation.


I have a blog called "Have Fun, Do Good," so I always like to ask people, how are you having fun in doing good?

It's an amazing privilege to be able to do what you love for a living. Part of one of our goals with setting up this business was right livelihood for ourselves, and hopefully for others, to create a model that would enable other people to create that right livelihood. We started as just a worker-owned cooperative, but we have employees now, and our turnover rates are very low so I think that our employees feel lucky to work with us. It feels good to be offering jobs, especially in a down economy.

The other thing that's pretty amazing is the kind of spiritual growth that happens when you work in a cooperative with other people.  While it's not always "fun" fun, it does feel like the kind of growth that we're all going through is really important and therapeutic.  We're all growing a lot as individuals in relation to one another, and in relation to this business. The business is holding us as whole people, not just automatons who come to work and do our jobs, but as whole people. There is something really rewarding about that, to be able to bring all of yourself to your workplace, to feel held and to make a contribution.  You're not disassociated, which I think happens for some people with their work.

Some days it is just terrific fun.  I spend a lot of my time writing recipes and working on menus, and frankly there's nothing really more fun to me than planning menus.  The fact that I get to do it for a living is great, although it's a lot of hard work too. I don't want to romanticize it. It's nitty gritty hard work, but it's something that I really enjoy.

I think each of us has been able to find some things within the business that are things that we really enjoy, and that always has to change, too. We always have to be looking at, OK, am I still being fulfilled with the stuff that I'm doing on a daily basis? We're constantly, constantly evolving, and our structure is constantly evolving as we learn, "This works, this doesn't, this is meeting my needs, this doesn't." 

We're working out what kind of vacation time we want, and because we're the owners of this business, we get to make it up. We've all worked really hard for four years and so, how do we want to model what is a sustainable lifestyle in a pretty workaholic society? We're actually making a profit now as a business, so figuring out how we pay ourselves is a process, too. Every part of it is an adventure.


Is there anything else you'd like to add before we close?

One of the things that is evolving is our website, www.threestonehearth.com. It was our starting website, so it's almost a historical document now. We're working on a new website that's going to be WordPress based, so it's going to be much more interactive. Hopefully, by the end of the summer, we'll go live with that.  If you're tooling around and checking things out, check it out again in a few months and see where we're at because that is shifting as well.

Also, if you're in the Bay Area, we're open to the public on Wednesday evenings for pickup from 5-7 PM, and Thursdays all day from 10 AM-4 PM.  We also have walk-in sales, so you can just walk in off the street and take a look at what we have for the week and see if you want to pick something up.  Other than that, we're a production kitchen, so we're not really open to the public but at those times we encourage people to come in, get a brochure and see the kitchen. We have usually some samples of the food so you can taste things. Our menu changes every week, so there will be different things on offer each week.

Also, anybody can sign up on our website, and create an account.  They'll get our weekly updates and see what's on the menu. You can order as frequently, or as infrequently as you want.  We're not like a CSA, in the sense that you don't have to subscribe and get something every week. We have lots of people who come once a month, or even once every six months, and then lots of people come every week.  It's really up to you.




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Wednesday, August 11, 2010

Your Free, Fun August/September 2010 Big Vision Worksheet

Hello Have Fun, Do Gooders!

I was in NYC for the 2010 BlogHer Conference, and on a little vacation, so I'm a couple days late posting this month's August/September 2010 Big Vision Worksheet (illustrated by my hubs).

You can download the PDF from Dropbox here.  If you have any trouble accessing it, let me know.

We'll be talking about how to use the worksheet during the August 17th teleclass, How to Start a Big Vision Circle to Support Your Creative Dream at 5:30 PM PT/8:30 PM ET.  Even if you can't make the call, an mp3 recording will be available if you aren’t able to join us live.  I hope you can make it!

You can view and download past 2010 Big Vision worksheets here.


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Monday, August 02, 2010

Five Benefits of Starting a Big Vision Circle to Support Your Creative Dream + August 17 Teleclass

Being part of a Big Vision Circle for the past nine years has been an incredibly rich experience.  Each month, the women in my Circle meet to discuss our creative career goals, successes and challenges.  Over the past nine years we've started businesses, written and performed in plays and one-woman shows, found our dream jobs, started blogs, created fabric lines, completed Master's Degrees and fitness coaching certifications, worked abroad, published our stories and poems, and much more!

I'd like to help you start your own Big Vision Circle.  On August 17 at 5:30 PM PT/8:30 PM ET I will be teaching a one-hour teleclass about How to Start a Big Vision Circle to Support Your Creative Dream. You can register for this $10 teleclass on brittbravo.com, or click on the Add to Cart button below:

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  The 5 benefits I've gotten out of being a part of a Big Vision Circle have been:
  1. Resources and ideas

    It's really true that two (or more!) heads are better than one.  Whenever I hit an obstacle I can't figure out for myself, at least one person in the group has a name of someone for me to talk to, a book I should read, or a way of looking at the problem that I would never have thought of by myself.

  2. Perspective

    Because the group has gone on for so long, and members usually stay at least 3 years, I have been able to see the cycles of their successes and challenges, and they have seen mine.  We are able to remind each other how far we've each come, and how we've weathered the storms of the past.

  3.  Time to Focus on My Creative Dreams

    My life gets busy, as I'm sure yours does, and it can be hard to take the time to think about and take action on my creative career dreams.  Our monthly meetings force me to make the time to think, and talk about my creative career goals, and to fill out my Big Vision Worksheet.

  4. Accountability

    During our meetings we talk about how we did (or didn't!) do the things we said we would do at the end of the last meeting.  We congratulate each other on our successes and offer support for our challenges.

  5. A Creative Career Community

    Many times when I get together with friends, we end up talking about our relationships (family, love, friends).  Although we do discuss our personal lives in our Big Vision Circle, it's almost always in relationship to our creative careers, which is really refreshing.  On the other hand, our group has also celebrated birthdays, weddings, and the birth of children, as well as provided support during breakups, illnesses, and other challenging life events.
You might be thinking, "I'm not creative," or "I don't have a big vision, so this teleclass isn't for me." Not true!  Anyone who wants to give and get support for making their dreams, and others people's dreams real can benefit from creating a Big Vision Circle, no matter what kind of dreams they might have.

During the teleclass we'll talk about:
  • Why a Big Vision Circle can help you reach your creative career goals.
  • How to find people to join your circle.
  • The pros and cons of virtual vs. face-to-face Big Vision Circles.
  • How to facilitate your Circle.
  • Problem-solving (e.g. What if people stop coming?).
  • Plus, I'll answer your questions about starting your own Big Vision Circle.
To register for this $10 teleclass, go to brittbravo.com, or click on the Add to Cart button below.  You will receive the call-in number after you register, and an mp3 recording of the call will be available if you aren’t able to join us live.

Add to Cart

Flickr photo, Circle of Life uploaded by red twolips/magdalena.

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Thursday, July 29, 2010

Nonprofit Blog Carnival Roundup: How to Create a Juicy Nonprofit Blog

A big thanks to everyone who contributed a post to this month's Nonprofit Blog Carnival!  Below is a roundup of folks' answers to this month's topic, How to Create a Juicy Nonprofit Blog:

• In her post, Creating a Juicy Blog for Nonprofits, Marion Conway suggests that your blog posts be about the overlapped area of what you know, and what readers want.  She also has seven more tips you can check out.

• In her post, Nonprofit blogs: why this one works, Lisbeth of Nonprofit Execs on the Edge points to 2 keys to a juicy blog: a focus on storytelling and blog posts that aren't staff-generated.

• Jake of Grant Writing Confidential also emphasizes the importance of storytelling, among other tips, in his post, How to Write a "Juicy" Nonprofit Blog - or a Blog of Any Kind.

• Sandy Rees of Get Fully Funded Blog posted 12 ideas to get you thinking about blog content including: report back from events, invite guest bloggers to post, and ask your readers questions.

• Nonprofit 2.0 also has a list of post topics in their post 10 Blog Content Ideas for Nonprofit Organizations which includes, "interview experts, volunteers, donors and board members."

• Sandra Sims of Cause Blogger says to have a juicy blog you need to have an attitude of gratitude.

• Allison Jones shared her presentation on Five Common Challenges in Blogging and How to Overcome Them where she highlights five blogging challenges and offers some tips for how to overcome them like read and engage with other blogs in your field, and start by writing short posts.

• In their post, Your Nonprofit Doesn't Need a Blog, Beaconfire Consulting offers seven questions to ask yourself before you start blogging to make sure it is the right tool for your organization like, "Can you update often?"

• Finally, Kevin Jones of Hannah's Socks wrote me a note about why he thinks their organization's blog is juicy:
  1. "It's not about us. It's about our supporters. I've never seen another org consistently recognize supporters in a blog like we do. 
  2. Include a photo in the post if at all possible. Pictures have tenfold the value of words. 
  3. Finish the post with a call-to-action when appropriate. Leverage the inspiring acts to try to create more good acts. This balance between 1 and 3 -- deflecting praise but also driving your org's strategy -- simply works. 
  4. This system feeds back in on itself -- people who see praise become repeat supporters because they've been thanked publicly and been given attention they didn't expect. 
  5. Leverage Facebook plug-ins so you don't have to maintain a separate login system for people to "Like" or comment on your posts."
The Nonprofit Blog Carnival is coordinated by the wonderful Joanne Fritz of About.com and hosted by different bloggers each month. Kivi Leroux Miller will be your host in August with the theme, Creative Ideas You Can Make Your Own.  If you’d like to be notified about future Nonprofit Blog Carnival submission deadlines, themes, etc., email Joanne Fritz with"Carnival Mailing List" as your subject line to get on the mailing list.


Flickr photo credit: Juicy! by sunshinecity.


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Friday, July 23, 2010

TranquiliT Eco Luxe Summer Sale, Wahoo!

Ladies!

Quick note to say that my pal Kimberly Wilson's company, TranquiliT, is having a summer sale of 40% off till July 30th when you use the code SUMMERTIME.

If you want a super steal, apply the coupon to their Sale section (it's not visible on the main menu, but it is if you click on any of the garment categories).

In April, TranquiliT was named an "eco-chic rising star" by The Fashion Group International of Greater Washington D.C., Inc. Here's the skinny, from the TranquiliT site, on why they are so eco-fabulous:

"1. All of our products are made of rayon made from organic bamboo. The bamboo that is used in the process is a fast-growing native species that is entirely renewable.

2. All TranquiliT pieces are sweatshop free and sewn in the USA.

3. TraquiliT donates a percentage of profits to Tranquil Space Foundation which brings yoga, creativity, and leadership to women and girls.

4. A tree is planted for every shipment that is sent out to help offset carbon emissions from the delivery process.

5. We will be offering an eco “shipping package turns to tote” option at the checkout process shortly. This new mailer can be turned inside out after the shipping process to be used as a canvas tote (made of recycled content), eliminating all waste from our shipping process and allowing you to have a lovely reusable tote for all your shopping excursions.

6. All other orders will be shipped via a poly-mailer, which offers the most lightweight and smallest packaging available to reduce weight and space on freighters. They also offer the most protection from damage of your goods from moisture. We are constantly in search of new 100% recyclable mailers. Feel free to return your poly-mailer to us and we’ll gladly reuse it!

7. All of our postcard ads are printed on 100% recycled paper and printed with soy inks.

8. Online shoppers receive a lovely black TranquiliT pen made from recycled tires and an organic lavender sachet."

Full disclosure: I'm a TranquiliT affiliate (:




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Tuesday, July 20, 2010

Submit Your Tips for How to Create a Juicy Nonprofit Blog by July 27th

Just a quick reminder that the deadline to submit your post about How to Create a Juicy Nonprofit Blog to this month's Nonprofit Blog Carnival is Tuesday, July 27th.

Your post doesn't have to be long (100-200 words). Some possible post topics are:
  • Examples of juicy nonprofit blogs
  • How to choose juicy post topics
  • How to build a juicy community
  • How to host juicy giveaways and contests
  • How to use juicy images and video effectively
  • How to use a juicy "voice" in your writing
  • 10 tips for creating a juicy nonprofit blog

To submit your blog post
for consideration, please use the short-and-easy Blog Carnival form at http://blogcarnival.com/bc/submit_318.html or email your permalink to britt@brittbravo.com with “Blog Carnival Submission” in your subject line.

For more information, see the original call for submissions.

Flickr photo credit: Juicy Fruit uploaded by Rumple/Kurt



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Tuesday, July 13, 2010

Saturday, July 10, 2010

Your Free, Fun July/August 2010 Big Vision Worksheet

Happy summer Saturday, Have Fun, Do Gooders!

I've posted the newest July/August Big Vision Worksheet (illustrated by my hubs).

You can download the PDF from Dropbox to fill it out on, or near the new moon tomorrow, July 11th.

I like to start by filling out my 3 biggest 2010 goals (Don't worry if yours change throughout the year, that's normal). Then, I fill out my 3 biggest summer goals, which hopefully relate in some way to my 2010 goals. Finally, I write out my 3 biggest goals for this lunar cycle (new moon, July 11-new moon, Aug 9), which are usually related to my summer goals.

Here are a couple questions to ask yourself when filling out this month's worksheet:

• Am I excited about my goals? Am I choosing them because I really want to achieve them, or because I think I should achieve them?

• Are they big enough? Am I setting goals to reach my dreams, or am I limiting myself?

• Are they doable? Do I have enough time, energy and resources to accomplish them when I want to? Do I need to break them down into smaller steps?

You can view and download past 2010 Big Vision worksheets here.



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Friday, July 02, 2010

25 Tips for Eating Locally on a Budget

On Wednesday, I went to a talk about, "Eating Locally on a Budget," hosted by the Commonwealth Club at the Ferry Building.

The panelists were:

• Deborah Madison, Author, Local Flavors, Seasonal Fruit Desserts, Vegetarian Cooking for Everyone and many more.
• Leda Meredith, Author, The Locavore's Handbook, and Ballet and Dinner From Scratch.
• Jessica Prentice, Author, Full Moon Feast
• Temra Costa, Author, Farmer Jane (Moderator)

I've compiled 25 Tips for Eating Locally on a Budget from their discussion, and hope you'll add your tips in the comments:
  1. Plan your menu around seasonal fruits and veggies.
  2. Every fruit and vegetable has a season. Within that season there is a peak season, which is the cheapest time to buy them.
  3. Can, freeze, pickle, and dry fruits and veggies by yourself, and with others, while they are in season.
  4. Eat the whole vegetable (e.g. beet and the beet greens, chard leaves and stems).
  5. Create purchasing criteria. Prioritize which foods you will be flexible with, and which you will always buy when they are organic and local.
  6. Walk around the farmers' market before you buy anything to compare prices.
  7. Make a list before shopping to prevent impulse buys.
  8. Don't go shopping when you're hungry, to prevent over-buying.
  9. Grow your own fruits and veggies. If your yard is sunny and your neighbor's is shady, grow the appropriate plants in each of your plots, and trade.
  10. Join a community garden.
  11. Get over "meat prejudice." Stewing cuts are cheaper than steak and hamburger. Whole animals, and cuts with the bone in them are cheaper than; for example, a boneless, skinless chicken breast. Mutton is cheaper than lamb.
  12. Use bone broth in dishes to get inexpensive nutrition without having to add meat to the dish.
  13. Raise your own chickens and/or bees.
  14. Embrace rice and beans!
  15. Volunteer at farmers' markets and CSAs (Community Supported Agriculture) in exchange for free, or discounted produce.
  16. Find out if your farmers' market takes food stamps (some do).
  17. Buy, cook, and share food with friends and neighbors.
  18. Create, or join a CSK (Community Supported Kitchen).
  19. Reframe thinking about spending money on fresh, local, and organic food as an investment, rather than a luxury. Prioritize spending money on food over other things.
  20. Eat nutrient-dense foods. You'll need to eat less, and won't need to buy vitamin supplements.
  21. Trade your talents and skills for food.
  22. Embrace limits. Have more expensive food for special occasions, not every day.
  23. Use a slow cooker.
  24. Use a pressure cooker (apparently they don't blow up anymore!).
  25. Always cook enough to have leftovers.
What are your tips for eating locally on a budget?

One of mine is to check out Sustainable Table and Local Harvest. They are great resources for finding farmers' markets, CSAs, food co-ops, and other sustainable food resources.

Photos by me from the Temescal Farmers' Market.


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Thursday, July 01, 2010

Call for Submissions: How Do You Create a Juicy Nonprofit Blog?

I have a little secret to tell you.

Many blogs written by nonprofits are dry.

There.

I've said it.

Thing is, they don't have to be.

I *love* blogs, and want to see more organizations use them in a fun and engaging way soooooo . . . .as the host of the Nonprofit Blog Carnival for July 2010, I want to tap your collective wisdom to explore the theme of:

How to Create a Juicy Nonprofit Blog


You’re invited to submit your best blog posts for consideration any time before Tuesday, July 27th. On Thursday, July 29th I'll post a round-up of the posts with the best tips here on Have Fun, Do Good.

To see an example of a blog carnival, check out the June Nonprofit Blog Carnival roundup hosted by Rebecca Leaman at Wild Apricot on the topic of Managing Your Members Online.

What Kind of Blog Posts Would Be a Good Fit?


I'd love it if you would share your tips for how nonprofits who want to start a blog, or who already have a blog, can create content and community that is engaging, lively, and JUICY!

Your post doesn't have to be long (100-200 words). Some possible post topics are:

• Examples of juicy nonprofit blogs
• How to choose juicy post topics
• How to build a juicy community
• How to host juicy giveaways and contests
• How to use juicy images and video effectively
• How to use a juicy "voice" in your writing
• 10 tips for creating a juicy nonprofit blog

What's in it for you?

Entering a blog carnival is a great way to bring traffic to your own blog. If your post is selected for inclusion in the carnival round-up, I'll link back to your blog post (which search engines love), and your writing will be introduced to new readers.

To submit your blog post for consideration, please use the short-and-easy Blog Carnival form at http://blogcarnival.com/bc/submit_318.html or email your permalink to britt@brittbravo.com with “Blog Carnival Submission” in your subject line.

Deadline for submissions: Tuesday, July 27, 2010.

Flickr photo credit: Juicy! by sunshinecity.


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Tuesday, June 29, 2010

Interview with My Dad, Tom Aageson, Co-Founder, Global Center for Cultural Entrepreneurship

"If we start losing cultural diversity, we begin to lose our whole sense of community because community is defined by culture. We want to give people an opportunity to really develop, innovate, and preserve their own culture."

-- Tom Aageson, co-founder, Global Center for Cultural Entrepreneurship

A week, or so ago I interviewed my Dad, Tom Aageson, for a special Father's Day show on the Big Vision Podcast. I've posted an edited transcript of the interview below.

You can also listen to the interview on the player at the bottom of this post, on the Big Vision Podcast landing page, or on iTunes.

My dad is the co-founder of the Global Center for Cultural Entrepreneurship. The GCCE envisions a world in which cultural entrepreneurship creates cultural value, economic wealth, self-determination, and cultural diversity in communities across the globe. Towards that vision, they are creating a networked community of cultural entrepreneurs, cultural investors, and cultural entrepreneurship educators.

In addition to being the co-founder of the Global Center for Cultural Entrepreneurship, he is the Executive Director of the Museum of New Mexico Foundation. Since moving to Santa Fe, he has developed New Mexico Creates, an economic development initiative that creates market links for New Mexico artists and artisans. He is also the co-founder of the International Folk Art Market.

Before moving to Santa Fe, he was the Director of Aid to Artisans, an international artisan enterprise development NGO.

We started our conversation with my dad describing what cultural entrepreneurship is:

Tom Aageson: Cultural entrepreneurship is an effort on the part of an entrepreneur who is very committed to cultural development and sees opportunities. They're really visionaries. They're catalysts for economic development for cultural workers to develop enterprises that are either for-profit, or not-for-profit, it can be either, that generate employment.

They also enrich the community's culture, and they use cultural capital. That can mean, for example, language; it can mean architecture; it can mean food; it can mean artisan work, or artistic work. It's all a resource that can be converted into an enterprise for a community.

They can also use things like creative tourism to develop an enterprise based on people coming to experience the culture.

Can you give an example, or tell a story so that if someone saw it, they'd say, "Oh! That's what that is. That's cultural entrepreneurship."

For example, in my own life, one of the things I started was the Maritime Gallery at Mystic Seaport. A dedicated maritime gallery did not exist before. There were many artists painting part-time in this genre, but none of them really had a market.

We created a sales gallery at Mystic Seaport Museum Stores, and began to invest in developing markets with collectors for artists. We developed; for example, a juried show. We developed an international competition that always had very prestigious juries. That business really caught on, and it produced support for the museum. It also built up a wonderful market to the point where over six for-profit galleries opened up, and began to do business, all the way from Seattle to Annapolis to Newport, Rhode Island. That would be one example of taking an initiative, and starting an enterprise.

Another would be - a friend and I are co-founders of the Santa Fe International Folk Art Market. We decided to build this market for master folk artists from around the world. This was 7 years ago. It is now the largest international folk art market in the world. It does close to $2 million a weekend that the artists take home to their communities. Forty-five countries are represented, and 130 folk artists are represented. We really created a market for that.

Or you take somebody like Dan Storper, who started Putumayo. He went around the world collecting traditional contemporary folk music, assembled those into themes on CDs, and began national distribution. He created a whole genre we now know as World Music.

There's a woman in India, Darshan Shah, who started a weavers' co-op. That co-op now has 600 women working, and weaving using traditional methods. She takes what they make into international markets in London and New York. She's been in the International Folk Art Market. There are many examples like that of efforts to create markets to help entrepreneurs build their cultural enterprises.

There is a sphere of people who are familiar with the term, "cultural entrepreneurship," but social entrepreneurship has become a more mainstream term. How is cultural entrepreneurship different, or related to social entrepreneurship?

Social enterprise and entrepreneurship started to address social issues in a community. So, it was generally focused on some social issue that was often around employment and/or to develop opportunities for farmers. For example, organic and fair trade yogurt, or coffee, which helps the coffee growers in Latin America.

In the case of cultural entrepreneurship, we're addressing - not necessarily a problem, but sometimes that's true. We're focused on developing opportunities for people who are making their livelihoods in the field of culture.

For example, I'd seen potters in Peru whose tradition was to make clay water jars for their community. They'd bring them into the market, and sell them. Well, with the evolution of mass production of plastics, their neighbors started buying plastic buckets. Their market for clay water jars disappeared.

What we've been able to do is look at that situation. You have talent, you have raw materials, all the skills, but what you don't have is a product that's ready for a different market. We would work with them on product development, and then bring them into new markets. We're really working directly with people who are making cultural-related products. That's the difference between the two.

Why should people care about cultural entrepreneurship, when, in the "do-good" world, they could spend their time on social entrepreneurship, or being "green?" Why is cultural entrepreneurship important?

Giving people an opportunity, especially those who might be losing markets, enhances cultural diversity in our world. We know, through the franchise device and other globalization issues, that we're tending towards becoming very homogeneous. There is standardization that's required in international business, so cultural diversity is really at odds with this.

If we start losing cultural diversity, we begin to lose our whole sense of community because community is defined by culture. We want to give people an opportunity to really develop, innovate, and preserve their own culture. The US is one of the biggest exporters of "culture products." For example, our music, our movies. They come with huge marketing dollars. So, in that case, they're overwhelming local markets with American product.

The reaction has been, on the national level, in many countries, to create cultural policy that lends support to local artists so that they have an opportunity to make their films, music, artistry, paintings, or sculpture, and bring them to market so that they're not overwhelmed by our exports, and the exports from the UK.

People value the expression of creativity coming out of the community, the diversity, and our concern with the issue of globalization making everything the same. On the other hand, globalization offers a tremendous opportunity for people in the cultural community because it broadens, and widens their market.

As co-founder of the Global Center for Cultural Entrepreneurship, what role does it play in the field of cultural entrepreneurship?

The role it plays is to really focus on the entrepreneur. There are many people in this cultural field who aren't necessarily entrepreneurial. In all my experience, what I've found is that it's the entrepreneur who can take the idea, develop it, create an enterprise, and along with it, create better livelihoods for people.

Our role is to really help the cultural entrepreneur. We do that through mentoring. We find other entrepreneurs, in, or outside of the field of culture, to help mentor these entrepreneurs so that they can build their enterprises. Therefore, they help themselves, their families, and their community. This is one of the areas where we can do a lot in rural development as well.

A lot of social entrepreneurship work has to be done in urban areas, where many of the social problems exist, whereas cultural entrepreneurship can be done in both rural and urban areas. There are a lot of opportunities there, and we didn't see anybody really addressing this so we said, "Why don't we begin to develop this and get into rural areas?" like New Mexico, which is very poor, and begin to help those entrepreneurs come forward into the market.

How can people get involved in the Global Center's work?

It depends on their interests. They can certainly let us know if they're successful entrepreneurs, and if they think they'd like to be a mentor. They can give the Center financial support to expand its programs. Eventually, we will go global, and there may be opportunities in other countries that people know about, as well. We have a lot of experience in training people to build their cultural enterprise.

What's the path that brought you to this work? What is the path that brought you to spending so much energy on cultural entrepreneurship?

I've always had a heart for artisans and their creative work. I've admired what they do. Out of that I have a basic philosophy which is, "Do what you love and love what you're doing."

I just said, "Maybe we really ought to start this." It was just like this friend, and I sitting down and saying, "Why don't we start a folk art market where one didn't exist before?" We saw the need for that, got really excited, and a lot of other people got really excited. It's the same with the Global Center for Cultural Entrepreneurship.

We've also started a program here called New Mexico Creates which uses our museum shops as a market link for New Mexico's artists and artisans. We were able to increase our buying from $300,000 a year to over a million dollars a year by featuring more of their work, and working with the artists to improve their products.

It came just out of this caring.

Of course, you know that my blog is called, "Have Fun Do Good." How do you have fun and do good?

As I said before, by really doing what you love and loving what you're doing. Out of it comes a lot of fun, and you end up doing a lot of good in a community that can always use an extra hand. Our cultural community is not the highest paid in the world, and anything we can do to build opportunities for increasing their livelihoods is meaningful to a lot of people.

I enjoy what I'm doing, and it results in good.

Is there anything else that you want to add before we close, about the Global Center, cultural entrepreneurship, or anything else?

The website for the Global Center is www.culturalentrepreneur.org. New Mexico Creates is www.newmexicocreates.org. The International Folk Art Market is www.folkartmarket.org. I think people will enjoy looking at some of those sites. Perhaps they'll inspire a conversation, and people can get in touch with me through the Global Center's site.

The intro and outro music was from Kenya Masala's song, "Mango Delight." The closing song was "Bricks" by Crowsong from their album, Crowsong.

If you have suggestions for other people I should interview who have big visions for a better world, please email me at britt AT brittbravo DOT com.





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Thursday, June 24, 2010

Nonprofit Blog Tips: Welcome Woman's Day Readers!

Welcome Woman's Day readers!

You've probably found your way here from a shout out Have Fun, Do Good got in the article, How to Start Your Own Charity by Sally Stich in the July 2010 issue of Woman's Day:
"5. Think social networking. Got a website? On Facebook? Get the word out. See HaveFunDoGood.BlogSpot.com for how to start a nonprofit blog."
My posts about blogging are scattered throughout the site, so I've compiled a roundup of them for you below.

If you have any questions, leave a comment here, or send me a note through Facebook, Twitter, or at britt AT brittbravo DOT com. I'm also a fun blog coach (:

Enjoy!

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Monday, June 21, 2010

Join Me for a Twitter Chat June 23rd

Happy first day of summer Have Fun, Do Gooders!

If you haven't already, this would be a good day to fill out your Free, Fun Summer 2010 Big Vision Goal Worksheet.

Just wanted to let y'all know that the lovely blogger, Marianne Elliott, posted a short interview with me today up on her blog.

She is complementing the interview with a Twitter chat on Wednesday, June 23 at 12 Noon PT/3 PM ET. You can chat with us by using the hashtag #zpchats

I'm @bbravo on Twitter and Marianne is @zenpeacekeeper

Hope to chat with you soon!


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Saturday, June 19, 2010

Father's Day Show: My Dad, Tom Aageson, Co-Founder, Global Center for Cultural Entrepreneurship

This month's Big Vision Podcast interview is a special one with . . . my Dad (!) Tom Aageson, the co-Founder of the Global Center for Cultural Entrepreneurship.

You can listen on the player at the bottom of the post, on the Big Vision Podcast landing page, or on iTunes. Here's the direct download (mp3) link too.

In addition to being the co-Founder of the Global Center, he is also the Executive Director of the Museum of New Mexico Foundation. Since moving to Santa Fe, he has developed New Mexico Creates, an economic development initiative that creates market links for New Mexico artists and artisans. He is also the co-Founder of the Santa Fe International Folk Art Market.

Before coming to Santa Fe, he was the Director of Aid to Artisans, an international artisan enterprise development NGO. Previous to that, he was at the Mystic Seaport Museum where he created the Mystic Maritime Gallery, which led to the opening of new markets for martime artists, and eventually spawned six for-profit gallery enterprises across the US.

I hope you enjoy the interview with my pops. I'll post a transcript here in a week, or so.

Happy Father's Day!





Music credits: "Mango Delight," by Kenya Masala, and "Bricks" by Crowsong.


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Thursday, June 17, 2010

Viva Vegan! Yummy Latin Vegan Cookbook by Terry Hope Romero

If you're my friend on Facebook, you've probably seen photos of my testing out recipes from a new vegan cookbook, Viva Vegan!: 200 Authentic and Fabulous Recipes for Latin Food Lovers by Terry Hope Romero.

Let me just start by saying that all of the recipes I made from Viva Vegan! were delish. They even passed my Colombian husband's taste test.

So far I've made Quinoa-Corn "Chowder" with Limas and Ají (above),
Colombian-Style Red Beans and Arroz con Coco (right),
Costa Rican Refried Rice and Beans, Classic Cabbage Salad with Cilantro Citrus Vinaigrette (below. The cabbage I bought was rotton inside so I shredded up a lot of carrots instead), and Arroz con Leche de Coco (which was one of the most delicious desserts I've ever made, but not pretty enough to take a photo of :) ).

I totally recommend this book with two caveats: 1. most of the recipes do take a bit of time to make, and 2. many of the recipes, not all, require Latin ingredients that might not be available at your regular supermarket. She does include a list of websites where you can order Latin and vegan ingredients, and has a list of suggested recipe for "weeknight cooking" in the back of the book.

That said, I'm psyched to try more recipes from Viva Vegan! If you have any that you recommend, let me know.

Full disclosure: I received Viva Vegan! as a review copy.


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Tuesday, June 15, 2010

Free Webinar: The Networked Nonprofit with Beth Kanter and Allison Fine

My pals, Beth Kanter and Allison Fine, have a new book coming out early next month, The Networked Nonprofit: Connecting with Social Media to Drive Change. Wahoo!

They'll be talking about The Networked Nonprofit at a free webinar, produced by Care2, on Thursday, June 17th at 2pm ET/11AM PT. To register, click here. Five lucky participants will win free copies of the book!

Here's what you'll learn in the webinar:

  • How to understand social networks through social network analysis;
  • How to create a social culture at your nonprofit;
  • How and why you must value relationships as well as transactions;
  • How to embrace experimentation, and work with crowds; and
  • How to break out of those troublesome silos
Marc Sirkin, Autism Speaks's Chief Community Officer, and Danielle Brigida, National Wildlife Federation's Social Media Outreach Coordinator, are presenters too.

You can also join Beth and Allison for their free, virtual book launch party on June 21st at 4 PM ET/1 PM PT. The party will take place on Twitter using the hashtag #netnon, and on ustream.tv (URL to be announced). You'll be able to watch Beth and Allison live online, and chat with them on Twitter.

Beth is donating all of her book profits to the Sharing Foundation, which helps meet the physical, emotional, educational and medical needs of orphaned and seriously disadvantaged children in Cambodia. Allison is donating to the Hope for Henry Foundation, which provides gifts to children in hospitals with chronic diseases.



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Friday, June 11, 2010

Your Free, Fun Summer 2010 Big Vision Goal Worksheet

After a little hiatus last month, the Big Vision Goal Worksheet is back! You can download it from Dropbox by clicking here.

I have to say, I think this is the prettiest one yet. You can see the other ones my hubs designed this year by clicking here.

Tomorrow is the new moon, a time when I like to revise, or recommit to my goals, dreams, and intentions for the month, season, and year.

We're also almost halfway through 2010 with the first day of summer coming up on June 21st.

Take a little time this weekend with your worksheet nearby to think about what is really important to you.
  • How do you want to spend your time?
  • What are the things you love to do, but you don't make them a priority?
  • What are the changes you promised yourself you'd make at the beginning of 2010, but still need to take action on?
  • What are goals you had at the beginning of the year that you need to let go of, and change?
As always, I recommend that you start by filling out your 2010 goals first. Then, make your goals for the summer in relation to your 2010 goals. For example, if one of your 2010 goals is to exercise three days a week, make a commitment to exercise two days a week during the summer. You can amp it up to three in the fall (:

Finally, make your monthly goals relate to your summer goals. For example, commit to walking every Tuesday and Thursday after work with a friend for a month. If that doesn't work for you, you can always change the day, time, or activity next month, but for now, make the commitment.

We make these worksheets 'cause its fun for us, but we also want them to be useful to you so please give us feedback about how you're using them, and features you'd like added, or taken away.


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Monday, June 07, 2010

Pick Me Up Photo: Gulf Oiled Pelican Before and After Cleaning

I gotta tell you, the more the oil spreads from the BP Gulf oil spill, the more discouraged I become (side note: why is it being called the Gulf oil spill, and not the BP Gulf oil spill?).

It was a photo released on Friday of a little gull covered in oil that really got me. Maybe it's 'cause that is how I feel when I see the extent of the devastation. Covered in heavy, black, viscous liquid, and paralyzed to do anything about it.

Today I found one photo (above) that cheered me up. A combo of before and after photos of an oiled Brown Pelican washed at the Fort Jackson, LA Oiled Wildlife Center from the IBRRC Flickr photostream. IBRRC=the International Bird Rescue Research Center.

Amazingly, I also found a link to an NPR story, A Little Bird Mired in Oil Illuminates a Big Problem, on the IBRRC Facebook page about the photo I saw on Friday, and the little gull is alive. Yay!

You can follow the IBRRC's work on Facebook, Twitter, YouTube, and their blog.

If you come across any other pick me up photos, or heartening bits of news regarding the BP Gulf oil spill, please pass them on.


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Thursday, June 03, 2010

Five Ways to Do More Marketing in Less Time by Kivi Leroux Miller

My pal, Kivi Leroux Miller, has a new book out that I thought some of you might find useful, Nonprofit Marketing Guide: High-Impact, Low-Cost Ways to Build Support for Your Good Cause.

As part of her virtual book tour, she's written a guest post for Have Fun, Do Good about Five Ways to Do More Marketing in Less Time. Enjoy!


No matter whether you want more people to donate to your good cause, to read your blog, or to recognize your name as an expert in your field, you have to make time for marketing. Here are five tips that I've used successfully and that you can too.

1. Decide Who Matters Most to Your Success

If you are marketing to the general public, you are wasting A LOT of time. You can't reach everybody, and only a very small percentage of the general public is likely to care about what you have to say and have the ability or willingness to help you achieve your goals. Focus in on the people who really matter. Are they people of a certain age, means, or education level? Do they have particular skills, hobbies or habits? Where do they go during the day and what do they see and hear there? The best way to do more effective marketing in less time is to focus on the needs and values of a more narrow target audience.

2. Use Filters to See What Matters Most

If social media is a big part of your marketing strategy, it can get overwhelming very quickly. There are just so many blog posts, tweets, and Facebook updates one person can read in a day and still get anything done. To help you focus on what matters most, filter the most important voices or keywords to the top of your reading pile. I use a custom page at Alltop to track the top bloggers on nonprofit marketing, fundraising and social media. I use keyword search columns in HootSuite and lists in both Twitter and Facebook to prioritize what I look at first.

3. Organize What You'll Need Again and Again

Collect all that stuff you are constantly searching for to use yourself and to send to other people in one place on your computer. This includes all the different variations of your logos, headshots, and boilerplate text like taglines, missions, and bios.

4. Get Fear Out of the Way

After reinventing the proverbial wheel, the next biggest time waster in marketing, especially among nonprofits, may just be fear -- your own fear and the fear of decisionmakers around you. What will people think if we say this or that? Will they like us? Will they hate us or think we are stupid? You can stop the hand wringing -- and save all the time you spend on it -- by taking a few simple steps. Do your homework on your target audience. Do some small test runs of your ideas and adjust accordingly. Create a crisis plan so you know how to react in case the worst does happen. Then go do it!

5. Keep Track of What Others Are Doing

You can learn a tremendous amount by paying attention to the "big brains" and the "cool kids." Big brains are the people in your field who are always making new connections, seeing things differently, and looking farther down the road than the rest of us. Cool kids are the ones who are leaping in while the rest of us dip in our toes. Watch, listen, and learn from them. You'll save a tremendous amount of time if you simply schedule a few minutes a day to read up on what others are talking about and doing.

Kivi Leroux Miller is president of Nonprofit Marketing Guide.com, where she blogs on nonprofit communications. She is also the author of the just-released Nonprofit Marketing Guide: High-Impact, Low-Cost Ways to Build Support for Your Good Cause.


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